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Getty Center for History of Art and the Humanities Res November 1992

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Arrangement with athenaeum and databases for fine art history and provenance inquiry

Getty Research Constitute
Founded 1985
Founder J. Paul Getty
Focus Dedicated to furthering knowledge and advancing understanding of the visual arts
Location
  • Los Angeles, California, Us
Method Grants, research
Owner J. Paul Getty Trust
Website www.getty.edu/inquiry

USGS satellite epitome of the Getty Center. The round edifice to the left is the Getty Research Establish. The two buildings at the pinnacle are the Getty Trust administrative offices and the residual is the Museum.

The Getty Inquiry Institute (GRI), located at the Getty Center in Los Angeles, California, is "dedicated to furthering knowledge and advancing understanding of the visual arts".[i]

A program of the J. Paul Getty Trust, GRI maintains a research library, organizes exhibitions and other events, sponsors a residential scholars programme, publishes books, and produces electronic databases (Getty Publications).[1]

History [edit]

The GRI was originally chosen the "Getty Eye for the History of Art and the Humanities", and was first discussed in 1983.[2] Information technology was located in Santa Monica[three] and its offset director (commencement in 1985) was Kurt West. Forster.[four] GRI'south library had thirty,000 volumes in 1983, but grew to 450,000 volumes by 1986.[5]

In a statement upon his departure in 1992, Forster summarized his tenure as "Beginning with the rudiments of a small museum library... the heart grew... to get one of the nation'south preeminent research centers for arts and culture...".[4] In 1994, Salvatore Settis, a professor of the history of classical art and archeology in Italia, became the director of the Centre.[vi] By 1996, the Center's name had been changed to "Getty Research Institute for the History of Art and the Humanities",[7] and by 1999 it was known simply equally "Getty Research Institute".[viii]

When the Getty Data Institute (formerly the Fine art History Information Program, established in 1983) was dissolved in 1999 every bit a "issue of a change of leadership at the Getty Trust",[9] GRI absorbed "many of its functions".[10] [11]

In 2000, Thomas E. Crow was selected as GRI manager to supersede Settis who had resigned in 1999.[12] Crow announced in October 2006 that he would be leaving for New York Academy.[thirteen] In November 2007 Thomas W. Gaehtgens became GRI'south director;[14] he was previously (1985–86) a visiting scholar with the Getty Center for the History of Art and the Humanities.[5] [13] He served in the position until 2019 when Mary Miller was appointed as the new GRI managing director.[15]

Programs [edit]

Library [edit]

Within the Getty Research Institute Library

Amid other holdings, GRI's enquiry library contains over ane million volumes of books, periodicals, and sale catalogs; special collections; and two million photographs of art and architecture.[16]

The library is located at the Getty Center, and does non circulate its collections, only does extend library privileges to any visitor.[17]

Exhibitions and other events [edit]

GRI holds two public exhibitions per year in its two galleries which "focus primarily on the special collections of the Inquiry Library or on piece of work produced by artists in residence".[18] For case, in 2005–2006 GRI held an exhibition entitled "Julius Shulman, Modernity and the City".[19] The exhibition traveled to the National Edifice Museum[twenty] and to the Art Institute of Chicago.[21] Other GRI exhibitions have included "Overdrive: Fifty.A. Constructs the Future, 1940-1990," co-organized with the museum in 2013,[22] "World War I: War of Images, Images of War" in 2015,[23] and "Cave Temples of Dunhuang: Buddhist Art on China'due south Silk Road," co-organized with Getty Conservation Institute in 2016.[24]

In addition to exhibitions, GRI organizes lectures (open to the public), colloquia (nearly open up to the public), workshops (by invitation merely), and screenings of films and videos (open to the public).[25]

GRI besides holds online exhibitions. In 2017 information technology launched its first online-only exhibition, "The Legacy of Ancient Palmyra."[26] This exhibition was relaunched in 2021 as "Return to Palmyra" with new content and Standard arabic translations.[27] Its next online exhibition was "Bauhaus: Building the New Artist," which was launched in 2019 in tandem with its gallery exhibition "Bauhaus Beginnings."[28]

In 2013 the GRI gallery underwent a renovation that added an additional 2,000 foursquare feet to its existing 800 square feet of space.[29]

Residential scholars program [edit]

The residential scholars program seeks to "integrate the often isolated territory of art history into the wider sphere of the humanities".[5] The commencement class of scholars arrived in 1985–1986; they had their salaries paid for and their housing provided only were nether "absolutely no obligation to produce".[v] Among the notable scholars was German author Christa Wolf in 1992–1993, who wrote the novel Medea: a modern retelling during her year at GRI.[30] [31] [32]

Each yr the scholars are invited to work on projects related to an annual theme.[33] The lengths of stay vary: Getty scholars are in residence for three, half-dozen or 9 months,[34] visiting scholars for one to three months,[35] and predoctoral and postdoctoral fellows for a nine-month bookish yr.[36]

Publications [edit]

GRI publishes "Series Imprints" books in the categories of "Issues and Debates", "Texts & Documents", "Introduction To" (on "cultural heritage information in electronic grade"), and "Resource" (on the library'due south special collections).[37] In addition, GRI publishes exhibition catalogs and other materials in hardcopy grade.[37]

In 2021, Käthe Kollwitz: Prints, Procedure, Politics (edited past Louis Marchesano, ISBN 978-i-60606-615-7), which accompanied an exhibition of the aforementioned name that ran at GRI and the Fine art Found of Chicago between 2019 and 2020, won the Higher Art Clan's Alfred H. Barr Jr. Award for distinguished catalogues in the history of fine art.[38]

Here are selected books published past GRI, by the Getty Research Plant for the History of Art and the Humanities, by the Getty Eye for the History of Art and the Humanities, by the Getty Information Institute, or by the Art History Data Program.

  • Bakewell, Elizabeth, et al. Object, image, enquiry: the art historian at work: report on a collaborative study by the Getty Fine art History Information Program (AHIP) and the Found for Research in Data and Scholarship (IRIS), Brownish Academy. Santa Monica, CA: AHIP, 1988. ISBN 0-89236-135-two
  • Gaehtgens, Thomas W., and Heinz Ickstadt. American icons: transatlantic perspectives on eighteenth- and nineteenth-century American art. Santa Monica, CA: Getty Heart for the History of Art and Humanities, 1992. ISBN 0-89236-246-4
  • Necipoglu, Gülru, and Mohammad Al-Asad. The Topkapi scroll: geometry and ornament in Islamic compages: Topkapi Palace Museum Library MS H. 1956. Santa Monica, CA: Getty Center for the History of Art and the Humanities, 1995. ISBN 0-89236-335-5
  • Roth, Michael S., Claire Fifty. Lyons, and Charles Merewether. Irresistible decay: ruins reclaimed. Los Angeles, CA: Getty Inquiry Plant for the History of Art and the Humanities, 1997. ISBN 0-89236-468-8
  • Baca, Murtha. Introduction to metadata: pathways to digital information. Los Angeles, CA: Getty Information Institute, 1998. ISBN 0-89236-533-1
  • Warburg, Aby. The renewal of pagan antiquity: contributions to the cultural history of the European Renaissance. Los Angeles, CA: Getty Enquiry Institute for the History of Art and the Humanities, 1999. ISBN 0-89236-537-4
  • Paul, Carole, and Alberta Campitelli. Making a prince'due south museum: drawings for the late-eighteenth-century redecoration of the Villa Borghese. Los Angeles, CA: Getty Research Institute, 2000. ISBN 0-89236-539-0
  • Phillips, Glenn, and Thomas E. Crow. Seeing Rothko. Los Angeles: Getty Research Institute, 2005. ISBN 0-89236-734-2
  • Reed, Marcia, and Paola Demattè. China on newspaper: European and Chinese works from the late sixteenth to the early nineteenth century. Los Angeles: Getty Research Institute, 2007. ISBN 978-0-89236-869-3
  • Le Corbusier. Toward an Architecture. Intro. Jean-Louis Cohen. Trans. John Goodman. Los Angeles, CA: Getty Research Institute, 2007. ISBN 978-0892368228
  • The Getty Murúa: Essays on the Making of Martín de Murúa'south "Historia general del Piru," J. Paul Getty Museum Ms. Ludwig XIII 16. Ed. Thomas B. F. Cummins and Barbara Anderson. Los Angeles, CA: Getty Inquiry Found, 2008. ISBN 978-0892368945
  • Pacific Standard Time: Los Angeles Art, 1945-1980. Ed. Rebecca Peabody, Andrew Perchuk, Glenn Phulips, and Rani Singh, with Lucy Bradnock. Los Angeles, CA: Getty Inquiry Institute, 2011. ISBN 978-1-60606-072-8
  • Provenance: An Alternative History of Fine art. Ed. Gail Feigenbaum and Inge Reist. Los Angeles, CA: Getty Research Found, 2013. ISBN 978-1-60606-122-0
  • Matisse, Henri. Chatting with Henri Matisse: The Lost 1941 Interview. Interview past Pierre Courthion. Trans. Chris Miller. Ed. Serge Guilbaut. Los Angeles, CA: Getty Research Institute, 2013. ISBN 978-1-60606-129-ix
  • Stierli, Martino. Las Vegas in the Rearview Mirror: The Urban center in Theory, Photography, and Motion-picture show. Los Angeles, CA: Getty Inquiry Institute, 2013. ISBN 978-1-60606-137-4
  • Kerpel, Diana Magaloni. The Colors of the New World: Artists, Materials, and the Creation of the Florentine Codex. Los Angeles, CA: Getty Research Found, 2014. ISBN 978-1606063293
  • Lippit, Yukio. Japanese Zen Buddhism and the Impossible Painting. Los Angeles, CA: Getty Research Institute, 2017. ISBN 978-1606065129
  • Singh, Kavita. Existent Birds in Imagined Gardens: Mughal Painting betwixt Persia and Europe. Los Angeles, CA: Getty Research Institute, 2017. ISBN 978-1606065181
  • Jackson, Neil. Pierre Koenig: A View from the Annal. Los Angeles, CA: Getty Research Plant, 2019. ISBN 978-1-60606-577-eight

GRI publishes a peer-reviewed academic journal, the Getty Research Journal, that presents work "related to the Getty'south collections, initiatives, and research".[39] Started in 2009, the journal publishes i annual issue and is slated to begin biannual publication in 2021.[40]

Electronic databases [edit]

Among the electronic databases from the erstwhile Getty Information Institute that GRI continues to produce are:

  • Getty Vocabulary Program databases (Art & Architecture Thesaurus (AAT), Getty Thesaurus of Geographic Names (TGN), and Spousal relationship List of Artist Names (ULAN))[41]
  • Bibliography of the History of Art (BHA)[42]
  • Getty Provenance Index which holds records of collections, auction sales and other data for researching the art marketplace and the provenance of works.[43]
  • The Getty Inquiry Portal provides free access to fully digitized art history texts in the public domain. The database launched in 2012 and is a collaboration with libraries that are digitizing art history books. Initial contributors include the Avery Architectural & Fine Arts Library at Columbia University, the Biblioteca de la Universidad de Málaga, the Frick Art Reference Library, the Getty Research Institute, the Heidelberg University Library, the Institut national d'histoire de l'art, members of the New York Art Resource Consortium, and the Thomas J. Watson Library at the Metropolitan Museum of Fine art.[44]

In 2006, GRI and the OCLC Online Computer Library Centre announced that the Getty Vocabularies (Art & Architecture Thesaurus, Getty Thesaurus of Geographic Names, and Union List of Artist Names) will be bachelor as a Web service.[45]

Until July i, 2009, the Getty Data Plant and later GRI co-produced the Avery Index to Architectural Periodicals with the Avery Architectural and Fine Arts Library. On that engagement, GRI transferred the database back to Columbia University, which continues to maintain it.[46]

The Getty Research Institute also participates in the German/American Provenance Research Substitution Programme (PREP), which trains researchers specializing in Holocaust-era provenance projects.[47]

Special collections [edit]

GRI holds many of import archives related to artists, architects, and art collectors. It also houses the institutional athenaeum of past and electric current programs of Getty Trust.[48]

Already by 1985, the Getty had acquired the complete archive of the American sculptor Malvina Hoffman. In 2011, it acquired Harald Szeemann's substantial archive, consisting of more than one,000 boxes of correspondence, research files, drawings, and ephemera, besides every bit some 28,000 books and 36,000 photographs.[49] It also owns several art dealers' archives, including records for the Goupil & Cie and Boussod Valadon galleries, Knoedler Gallery, and the Duveen Brothers.[50] Information technology as well owns the papers of gallery owner Clara Diament Sujo and the records of Stendhal Art Galleries.[51]

The GRI'south Special Collections includes archives of major modern and contemporary artists and movements. In 2019 it acquired the complete archives of sculptor Claes Oldenburg and his wife Coosje van Bruggen.[52] It has collecting strengths in early twentieth-century European modernistic art movements including Dada and Surrealism, Italian Futurism, Russian Modernism, and Bauhaus.[53]

Additionally, the GRI's holdings in the field of experimental art includes archives related to many important mid-century 20th-century movements and groups, including the Japanese advanced, Fluxus, Experiments in Art and Engineering science (E.A.T.), and the Situationist International. It also holds papers relating to music, dance, and movie media, including the papers of composer David Tudor, the archives of dancers Simone Forti and Yvonne Rainer, the Long Beach Museum of Art video annal, and the recordings of the New York performance space the Kitchen.

GRI has significant archives in feminist art, including the papers of the activist group Guerrilla Girls and feminist conceptual artist Mary Kelly. It also owns the video archives of the Woman's Building, a Los Angeles-based arts and education heart. In 2018 GRI received a grant through the Save America'south Treasures plan to process and digitize 11 archives related to the Woman'due south Building, including the records of Feminist Art Workers, Sisters for Survival, Mother Art, the Waitresses, Barbara T. Smith, Faith Wilding, and Nancy Buchanan.[54]

In the field of performance fine art, the GRI collections include the papers of Allan Kaprow and Rachel Rosenthal, besides equally Robert R. McElroy, who photographically documented many early "Happenings". It also has the records of Loftier Performance magazine and the Los Angeles Contemporary Exhibitions (LACE) space.

GRI houses archives of several major mid-century, California-based architects, including Frank Gehry, Paul R. Williams, John Lautner, Ray Kappe, and William Krisel. In addition, it has the papers of architectural photographers Lucien Hervé and Julius Shulman. Information technology likewise has the collections of architectural critic Ada Louise Huxtable and architectural historian Thomas Due south. Hines.

GRI's photography collections include the work of French darkroom pioneer Louis Rousselet and the 19th-century travel photographs of Honoré d'Albert, Eight Duc de Luynes. It owns collections of the work of German language and Hungarian collaborators Shunk-Kender, German-Argentine photographer Grete Stern, and Venezuelan art critic and photographer Alfredo Boulton. Additionally, it also has archives of American photographers Robert Mapplethorpe and Allan Sekula, as well every bit those of mag editor Alexander Liberman.

GRI owns over 27,000 prints from as early equally the 16th century.[55] These include a complete set of the oeuvre of Giovanni Battista Piranesi and the Speculum romanae magnificentiae of Antonio Lafreri. It also has pregnant prints from Prc during the Qing dynasty, including Complete Map of the Globe by Ferdinand Verbiest, Battles of the Emperor of Mainland china, and Garden of Perfect Clarity. Information technology also has a collection of rare botanical books and woodblocks from the 16th through 19th centuries belonging to Tania Norris.

The GRI collections also possess sketchbooks of many important artists, including Francesco di Giorgio Martini, Jacques-Louis David, Charles Percier, Adolph Menzel, Félix Bracquemond, Edmond Aman-Jean, Ernst Ludwig Kirchner, Malvina Hoffman, Diego Rivera, and Marking Rothko.

Inquiry projects and initiatives [edit]

Among GRI'southward special projects was "Fifty.A. as Subject: The Transformative Civilization of Los Angeles Communities" conducted between 1995 and 1999, whose purposes included "enhanc[ing] existing resources and develop new resource that support new research scholarship on LA and too encourag[ing] the preservation, conservation, and display of local material culture".[56]

In collaboration with local organizations, GRI published Cultural Inheritance/Fifty.A.: A Resources Directory of Less Visible Archives and Collections in the Los Angeles Region in 1999.[57] In 2000, the L.A. as Bailiwick projection was transferred to the Academy of Southern California, which continues to update and expand an online version of the resources directory.[58]

Pacific Standard Time, one of Getty's well-nigh ambitious and of import ongoing projects, began equally a 2002 initiative between GRI and Getty Foundation meant to preserve postwar Los Angeles art history that risked being lost or inaccessible. It grew out of an oral history projection at GRI and was initially called "On the Tape."[59] [60] At first the initiative consisted of grants to local museums and libraries as well as GRI acquiring "papers, videos, photographs, and other records from the flow."[61]

The beginning set of Pacific Standard Time exhibitions, called "Pacific Standard Time: Art in L.A., 1945-1980," was coordinated betwixt Getty and other Los Angeles museums between 2011 and 2012. Over 60 institutions who were awarded grants totaling about $ten million participated by presenting exhibitions and programs on California art history.[62] The second iteration of Pacific Standard Fourth dimension was "Mod Compages in 50.A." in 2013. The third prepare of exhibitions was "Pacific Standard Time: LA/LA" in 2017-2018, which sought to identify Los Angeles and Latin American fine art in dialogue. This iteration extended beyond mod and gimmicky art to include exhibitions on the ancient and pre-mod eras.[63] The Los Angeles County Economic Evolution Corporation's Institute for Practical Economics found that LA/LA "created over 4,000 jobs, added $430 million in economic output [to] the regional economy, and supported labor income (wages) of about $188 million."[64]

One of the major impacts of Pacific Standard Time was that it established Los Angeles and the due west declension, not just New York City, every bit a major center of art production in the postwar U.s..[65] ARTnews named Pacific Standard Time every bit the virtually important art exhibition of the 2010s.[66]

In 2011 GRI acquired Ed Ruscha's Streets of Los Angeles archive, which includes "thousands of negatives, hundreds of photographic contact sheets, and related documents and ephemera."[67] In 2020 GRI launched the website "12 Sunsets: Exploring Ed Ruscha'south Annal," which compiles over 65,000 photographs that Ruscha took of buildings along Sunset Boulevard between 1965 and 2007.[68]

In 2018 GRI announced the African American Art History Initiative, which seeks to "strengthen its African-American holdings through key archival acquisitions,"[69] beginning with the acquisition of the annal of assemblage artist Betye Saar.

GRI is funding a digitization of "The Full general History of the Things of New Kingdom of spain", likewise known equally the Florentine Codex, a 16th-century illuminated manuscript written in Nahuatl and Spanish describing Aztec life in what is now Mexico City at the fourth dimension of the Spanish conquest.[seventy]

Senior staff [edit]

GRI's senior staff includes:[71]

  • Mary Miller, Director
  • Andrew Perchuk, Deputy Director
  • Gail Feigenbaum, Associate Director
  • Marcia Reed, Associate Director
  • Kathleen Salomon, Associate Managing director
  • Susan Baldocchi, Head, Assistants
  • A. Alexa Sekyra, Caput, Scholars Program
  • Thomas W. Gaehtgens, Director Emeritus

Employees and budget [edit]

During the menstruum July 2006 – June 2007, GRI had approximately 200 full-time and office-fourth dimension employees, and a budget of $63.7 million.[72] Betwixt July 2017 – June 2018, its upkeep was $68.6 one thousand thousand.[73]

References [edit]

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  2. ^ Isenberg, Barbara. Manuscripts rated elevation Getty conquering. Los Angeles Times, p. H1, March 10, 1983.
  3. ^ Getty Centre acquires sculptor's archive. New York Times, April 23, 1985. Retrieved May 25, 2011.
  4. ^ a b Muchnic, Suzanne. Getty Eye's Kurt Forster resigns mail. Los Angeles Times, p. 6, March twenty, 1992.
  5. ^ a b c d Muchnic, Suzanne. Getty's visiting guinea pig scholars. Los Angeles Times, p. 98, August 10, 1986.
  6. ^ Briefing - Italian professor to join Getty. Daily News of Los Angeles, March 9, 1993.
  7. ^ Getty Enquiry Institute for the History of Fine art and the Humanities Announces 1996-97 Getty Scholars. Retrieved May 25, 2011.
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  13. ^ a b Thomas W. Gaehtgens named managing director of the Getty Research Plant. August 14, 2007. Retrieved May 25, 2011.
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  15. ^ "J. Paul Getty Trust Study 2018" (PDF). p. 5. Retrieved Nov 9, 2020.
  16. ^ Enquiry Library Overview (Inquiry at the Getty). Retrieved May 25, 2011.
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  20. ^ National Building Museum. Julius Shulman: modernity and the metropolis. April 1, 2006 - July thirty, 2006. Retrieved May 26, 2011.
  21. ^ Fine art Institute of Chicago. Julius Shulman: modernity and the metropolis. Archived 2006-12-01 at the Wayback Machine September 2, 2006 - Dec three, 2006. Retrieved May 26, 2011.
  22. ^ "Overdrive: 50.A. Constructs the Future, 1940-1990". Getty Research Institute . Retrieved 20 Jan 2021.
  23. ^ "World War I: State of war of Images, Images of State of war". Getty Research Plant . Retrieved 20 January 2021.
  24. ^ "Cave Temples of Dunhuang". Getty Research Institute . Retrieved 20 January 2021.
  25. ^ Getty Research Institute. Colloquia, lectures, and workshops. Retrieved September 2, 2008.
  26. ^ Farago, Jason (17 Feb 2017). "The Aboriginal Syrian City ISIS is Destroying, Preserved Online". New York Times . Retrieved 15 Dec 2020.
  27. ^ "Return to Palmyra". Apollo The International Art Mag. February v, 2021. Retrieved eighteen Feb 2021.
  28. ^ Gelt, Jessica (ii July 2019). "Go your Bauhaus on with interactive art in the Getty's new online exhibition". Los Angeles Times . Retrieved 15 Dec 2020.
  29. ^ Stephan, Annelisa. "Gallery at the Getty Research Constitute Undergoing Dramatic Expansion". Getty Iris . Retrieved 15 December 2020.
  30. ^ Gitlin, Todd. "I did non imagine that I lived in truth". New York Times, April 4, 1993. Retrieved May 25, 2011.
  31. ^ Wolf, Christa. Medea: a modern retelling. New York: Nan A. Talese, 1998. ISBN 0-385-49060-7
  32. ^ Slavitt, David R. Revenge fantasy. Christa Wolf puts a late-20th-century spin on the story of Jason and Medea. New York Times, June xiv, 1998. Retrieved September ii, 2008. (paid site)
  33. ^ Getty Research Institute. Past Themes & Scholars. Retrieved May 25, 2011.
  34. ^ "Getty Scholar Grants". Getty Trust. Retrieved May 26, 2011.
  35. ^ "Library Inquiry Grants". Getty Trust. Retrieved May 26, 2011.
  36. ^ "Pre- and Postdoctoral Fellowships". Getty Trust. Retrieved May 26, 2011.
  37. ^ a b Getty Research Institute. Publications Overview. Archived 2008-05-14 at the Wayback Auto Retrieved September 2, 2008.
  38. ^ "Awards for Distinction". CAA . Retrieved one March 2021.
  39. ^ "Getty Enquiry Journal". Getty Research Institute . Retrieved 15 December 2020.
  40. ^ "Getty Enquiry Journal". Getty Research Institute . Retrieved fifteen December 2020.
  41. ^ Getty Research Institute. Learn about the Getty Vocabularies. Retrieved May 26, 2011.
  42. ^ Getty Research Institute. Bibliography of the History of Art. Retrieved May 26, 2011.
  43. ^ Collecting and Provenance Inquiry, Retrieved Baronial 26, 2011.
  44. ^ "Getty Research Portal". Getty Research Institute. Retrieved 18 February 2014.
  45. ^ OCLC Online Estimator Library Heart, Inc. Getty Vocabularies added to OCLC Terminologies Service. Nov ix, 2006. Retrieved May 26, 2011.
  46. ^ "Avery Index Returns to Columbia Academy". Columbia University. July 1, 2009. Retrieved May 26, 2011.
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  48. ^ "Institutional Archives". Getty Research Institute . Retrieved 25 Jan 2021.
  49. ^ Kate Taylor (June seven, 2011), Getty Acquires Vast Archive of Post-War Art Documents New York Times.
  50. ^ Carol Vogel (October eighteen, 2012), Getty Institute Buys Knoedler Gallery Archive New York Times.
  51. ^ "Latin American Dealer Archives". Getty Research Institute . Retrieved 25 January 2021.
  52. ^ The Associated Press (April ix, 2019). "Getty Research Establish acquires Claes Oldenburg archives". Seattle Times. Retrieved 25 Jan 2021. {{cite news}}: CS1 maint: url-status (link)
  53. ^ "Major Collecting Areas". Getty Research Plant . Retrieved 25 January 2021.
  54. ^ "Getty Inquiry Institute Awarded a "Salvage America'due south Treasures" Grant to Process and Digitize Athenaeum of the Woman'south Edifice" (PDF). News from the Getty . Retrieved 25 January 2021.
  55. ^ "Prints--Special Collections". Getty Inquiry Institute . Retrieved 25 January 2021.
  56. ^ "L.A. as Subject. Overview". Getty Enquiry Institute. 1999. Retrieved May 25, 2011.
  57. ^ Johnson, Reed. Getty helping bring 50.A. history together. Daily News of Los Angeles, June 8, 1999.
  58. ^ "L.A. as Subject. Dwelling house". Getty Research Establish. Retrieved May 25, 2011.
  59. ^ Finkel, Jori (January 20, 2011). "Galleries join 'Pacific Standard Time'; The autumn's big study of regional fine art history expands to include a mosaic of gallery contributions". Los Angeles Times.
  60. ^ Muchnic, Suzanne. "Getty grants unite SoCal arts; Organizations working on a regionwide historical project will share $3.1 1000000". Los Angeles Times.
  61. ^ Dobrzynski, Judith H. (Jan xx, 2009). "A Cultural Conversation With James N. Wood: Easing The Getty Into Immature Adulthood". Wall Street Journal.
  62. ^ Smith, Roberta (November 13, 2011). "A New Pin On the Art Map". New York Times. No. Late Edition (East Declension).
  63. ^ "Near PST: LA/LA". Pacific Standard Time: LA/LA . Retrieved 21 January 2021.
  64. ^ "Getty-led Pacific Standard Time: LA/LA Created Over four,000 Jobs and Celebrated Latin American and Latino Fine art". Los Angeles County Economic Development Corporation . Retrieved 21 January 2021.
  65. ^ Smith, Roberta (Nov 13, 2011). "A New Pivot On the Art Map". New York Times. No. Tardily Edition (Eastward Coast).
  66. ^ Durón, Maximilíano; Greenberger, Alex (December 17, 2019). "The Most Important Fine art Exhibitions of the 2010s". ARTnews. Retrieved 21 January 2021.
  67. ^ "The Getty Acquires Ed Ruscha Photographs and Archives". Getty . Retrieved 21 January 2021.
  68. ^ Vankin, Deborah (October seven, 2020). "65,000 photos of Sunset Boulevard: Have the ultimate route trip with Ed Ruscha". Los Angeles Times . Retrieved 21 January 2021.
  69. ^ Finkel, Jori (September 27, 2018). "African-American Art Is Focus of Getty Project". New York Times . Retrieved 21 January 2021.
  70. ^ Miranda, Carolina A. (March 26, 2020). "How a vital record of Mexican indigenous life was created under quarantine". Los Angeles Times . Retrieved 21 January 2021.
  71. ^ "Research Establish senior staff". Getty Trust. Retrieved January xx, 2021.
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  73. ^ "J. Paul Getty Trust Report 2018" (PDF). p. 144. Retrieved December 15, 2020.

External links [edit]

  • "List of Scholar Year themes". Getty Research Found.

Coordinates: 34°4′37″N 118°28′32″W  /  34.07694°N 118.47556°W  / 34.07694; -118.47556

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Source: https://en.wikipedia.org/wiki/Getty_Research_Institute

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